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All Things Fair
Swedish cinema historically has a more liberal stance towards sex than their North American counterparts. These early Swedish summer films blended arthouse with grindhouse in the Scandinavian countryside, and they were able to appeal both to highbrow and lowbrow audiences as a result. This reputation was embraced in Swedish cinema for decades, and these ten films exemplify that. Set during World War II, the film tells the story of a love affair between Stig, a fifteen-year-old boy on the verge on manhood, and Viola, his schoolteacher.
The Swedish Erotica Collection
Nearly all were heterosexual. Current orgasmic capacity was broadly and subjectively classified into: no, mild, or manifest dysfunction. Sexual techniques and erotic perceptions were recorded together with level of sexual satisfaction.
While this boxset's title and those of the films it contains conjures up cheerful images of light, saucy frolics, the contents prove to be a much more serious proposition. Of the six films included, three are actually sex education movies, while the three fiction films on offer centre on 'damaged' women caught up in games of sex, control and power. The first two take the form of extremely serious panel discussions hosted by psychologists Inge and Sten Hegeler, joined by various experts to discuss sex in all of its myriad forms. Indeed, the second installment specifically focuses on more taboo elements such as disabilities, homosexuality, transvestism and pornography. The final film dispenses with the guests and pays a visit to the Hegeler family at their holiday retreat, where they play with their kids in the pool, cook food and discuss sexual case studies, which are acted out onscreen for the viewer's benefit. The three ficition films in the set act as a showcase for Swedish actress and glamour model Christina Lindberg. Anita: Swedish Nymphet finds the starlet playing an alienated young woman whose search for love takes a self-destructive turn as she journeys into the world of nymphomania. Wide Open gives her a supporting role in a messy exploitation flick involving stolen drugs hidden in a fur coat that ends with a gangster forcing the three leading ladies to perform a bottomless can-can for him. As you do. All of the films have clearly seen much better days and the source prints are riddled with dirt and damage.